![]() Wyrd is an Old English noun, a feminine one, from the verb weorthan “to become”. Users should refer to the original published version of the material for the full abstract.If you can accept this, you have gone a long way in understanding the concept of active Fate known to the Anglo-Saxons as Wyrd. No warranty is given about the accuracy of the copy. However, users may print, download, or email articles for individual use. Copyright of Journal of the Fantastic in the Arts is the property of International Association for the Fantastic in the Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission.In these novels, Pratchett suggests that while desire is an unavoidable, powerful, and ambivalent part of life, with all attendant dangers and strengths, the heart of successful magical thinking lies in human response and choice. Terry Pratchett's invocation of Shakespeare in the Discworld series, particularly in the novels Wyrd Sisters and Lords and Ladies, which rewrite Macbeth and A Midsummer Night's Dream respectively, allows for an exploration of the ambivalent relationship between desire, enchantment, and human free will. In the modern fantasy genre, the liminal world of the fairies and witches becomes just as essential, and the question of human versus super-human experience takes center stage. Abstract: In Shakespeare's plays, most notably A Midsummer Night's Dream and Macbeth, the supernatural world provides a means to discuss desire, a force both uncanny and inescapable.
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